Evangelion Korean Dub [OFFICIAL · SECRETS]
In compliance with local broadcasting guidelines of the era, some secondary characters and background text were modified, though the main trio (Shinji, Rei, Asuka) managed to retain their original Japanese names in most home video iterations—a rare compromise for the time due to the show's massive underground popularity.
In 2019, a new Korean dub of Evangelion was produced by Studio Sign, in collaboration with Gainax Korea. This re-dub featured a new voice cast and a more modern translation approach. The re-dub allowed a new generation of Korean fans to experience Evangelion, while also providing an opportunity for veteran fans to revisit the series.
The casting for this era became legendary among Korean anime fans:
The Amazon Prime Rebuild dub is praised for bringing back veteran talent from the video games.
Which version did you first watch? Let’s talk about your favorite Shinji or Asuka performances in the comments! 👇 evangelion korean dub
The landscape of the Evangelion Korean dub shifted dramatically with the launch of the Rebuild of Evangelion tetralogy ( 1.11 You Are (Not) Alone , 2.22 You Can (Not) Advance , 3.33 You Can (Not) Redo , and 3.0+1.0 Thrice Upon a Time ).
This article explores the turbulent production, the legendary voice cast, the infamous censorship, and the lasting legacy of the .
Voiced by Lee Hyun-sun , who tackled the difficult task of portraying Rei's detached, monotone, and enigmatic persona without sounding entirely robotic.
Rei’s monotone, detached delivery is deceptively difficult to act. Lee Ji-young managed to convey Rei’s subtle emotional evolution throughout the films without losing her signature stoic nature. In compliance with local broadcasting guidelines of the
⚠️ Be aware of copyright laws in your country.
In a landmark (and controversial) move, the Korean cable channel (투니버스) acquired the rights to broadcast Evangelion . This was an era of cautious cultural opening. The result was the first official Evangelion Korean dub , which aired in 1997 and later re-aired in 1998.
Today, the Korean dubbing of Evangelion stands as a testament to how far South Korea's media industry has come. What started as an illicit, bootlegged subculture in the late 1990s has evolved into a fully realized, officially sanctioned, and masterfully acted cinematic experience available on global streaming platforms. If you want to dive deeper into this topic, let me know:
The first major encounter for many Korean fans was the . Released under the title Evangelion (dropping "Neon Genesis"), it aimed for a younger audience despite the show's mature themes. The re-dub allowed a new generation of Korean
Neon Genesis Evangelion, the influential 1995–1996 anime by Hideaki Anno and Gainax, has been localized into multiple languages worldwide; the Korean dub is one of the notable adaptations that brought the series to Korean-speaking audiences. The Korean dub covers the original TV series (26 episodes), and in many distributions includes the subsequent films (The End of Evangelion and the Rebuild films) where official Korean dubs exist.
The turning point for the Evangelion Korean dub came when Tooniverse, South Korea's premier anime and cartoon cable channel, acquired the broadcast rights. Tooniverse assembled a stellar cast of professional voice actors (known in Korea as Seong-u ), many of whom became deeply attached to their roles.
The Korean dub of Neon Genesis Evangelion is a fascinating piece of anime history, particularly because there isn't just one version. Depending on when and where you watched it, the experience—and the "interesting" factor—changes significantly.
