Suicideboys Discography ((exclusive)) Info

When $uicideboy$ returned, they were different. Clean. Mature. Weirdly... hopeful? Stop Staring at the Shadows (Feb 2020) was recorded in rehab waiting rooms. The bass was lower; the tempo slower; the rapping clearer.

$uicideboy$ turned their trauma into a subscription service. While mainstream rap chased luxury, they chased the dragon—and eventually, sobriety. Their discography is bloated by design, chaotic by necessity, and brilliant because it never pretended to be anything other than two cousins from New Orleans screaming into the void.

Released during a critical evolution in the duo's sound, this album showcased more polished, atmospheric trap beats while maintaining their signature introspective lyrics. Top tracks include "...And to Those I Love, Thanks for Sticking Around". 3. Sing Me a Lullaby, My Sweet Temptation (2022) Release Date: July 29, 2022

To navigate the $uicideboy$ discography is not merely to listen to music; it is to watch a post-modern therapy session unfold in real-time. Their catalog documents a brutal decade-long war with addiction, depression, religion, and fame. This article breaks down every era, all 50+ projects, and the evolution of the "Grey*59" sound. Suicideboys Discography

Addiction, depression, suicide, fame, and Southern gothic imagery.

This comprehensive guide breaks down the massive $uicideboy$ discography, tracking their evolution from SoundCloud pioneers to independent powerhouse chart-toppers. The Foundation: Kill Your$elf Sagas (2014–2017)

A shorter project that bridged the gap between their mixtape roots and studio polish. I Want to Die in New Orleans (2018): When $uicideboy$ returned, they were different

These projects solidified the core roster of G*59 Records, their independent label, blending classic Memphis rap flows with modern phonk elements.

Since emerging from the New Orleans underground in 2014, cousins and $crim —the duo known as uicideboyu i c i d e b o y

A particularly notable series of EPs from this era is the trilogy. Released in 2015, 2016, and 2016, these three EPs are often cited by fans as some of the duo's most cohesive and emotionally resonant work, blending their signature dark trap production with more introspective and melancholic themes. The series serves as a bridge between their raw early work and the more polished, album-oriented approach they would soon adopt. Weirdly

A cornerstone of their discography, these are 20 individual EPs (Parts I–XX) released in batches between 2014 and 2017. They served as experimental grounds for their signature sound, blending Memphis rap influences with punk energy. 3. Major Mixtapes (The "Golden Era")

Though often categorized as a studio album by some sources, DIRTIESTNASTIEST$UICIDE is described as a "project" released between their third and fourth studio albums. It represents the raw, unfiltered sound that bridges the more polished productions of Sing Me a Lullaby, My Sweet Temptation and New World Depression .

released music at a prolific rate, primarily through independent EPs and mixtapes under their label, . The bedrock of this era is the Kill Yourself Sagas , a 20-part series of short EPs (I through XX) released between 2014 and 2017.