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Use these settings to add "warmth" and "thump" to tracks that lack low-end.
| Tool | Typical Range | Typical Goal | |---|---:|---| | HPF (stereo bus) | 20–40 Hz | Remove inaudible rumble | | Low-shelf | 60–120 Hz, −0.5 to −2 dB | Tighten low end | | Presence boost | 3–6 kHz, +0.5 to +2 dB | Vocal/guitar clarity | | Bus compression | Ratio 1.5–4:1, GR 1–3 dB | Glue/cohesion | | Parallel compression | Heavy GR 6–12 dB, blend 10–30% | Punch and weight | | M/S low cut sides | Below 200–300 Hz | Mono low end stability | | Stereo width | +0–15% (careful) | Perceived spaciousness | | Saturation drive | 1–4% | Warmth and harmonics | | Limiter ceiling | −0.3 to −0.1 dB | Final peak control |
5-band or 7-band processing offers the most precise control for modern formats.
This is the heart of Stereo Tool, where you define your unique "station sound." It splits the audio into multiple frequency bands so you can process them independently. Band Selection is the sweet spot for most broadcasters.
Different types of audio (e.g., music, speech, FX) may require different Stereo Tool settings. For instance, a voice-over might benefit from a narrower stereo image, while a music mix could be widened.
Fast attack, fast release (controls harshness and sibilance).
The De-Clipper is one of Stereo Tool's most powerful features. It reconstructs clipped, distorted audio peaks caused by over-amplification in original recordings.
Would you like a version of this write‑up narrowed to or just streaming , or adjusted for a particular skill level (beginner / advanced)?
For a comprehensive guide to , the Short tutorial: How to create your own sound from the official Stereo Tool documentation is the most authoritative starting point. It explains how to build a sound profile from scratch or refine existing presets. Core Settings & Best Practices
: Provides clipping without distortion to maximize loudness within legal limits.
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Use these settings to add "warmth" and "thump" to tracks that lack low-end.
| Tool | Typical Range | Typical Goal | |---|---:|---| | HPF (stereo bus) | 20–40 Hz | Remove inaudible rumble | | Low-shelf | 60–120 Hz, −0.5 to −2 dB | Tighten low end | | Presence boost | 3–6 kHz, +0.5 to +2 dB | Vocal/guitar clarity | | Bus compression | Ratio 1.5–4:1, GR 1–3 dB | Glue/cohesion | | Parallel compression | Heavy GR 6–12 dB, blend 10–30% | Punch and weight | | M/S low cut sides | Below 200–300 Hz | Mono low end stability | | Stereo width | +0–15% (careful) | Perceived spaciousness | | Saturation drive | 1–4% | Warmth and harmonics | | Limiter ceiling | −0.3 to −0.1 dB | Final peak control |
5-band or 7-band processing offers the most precise control for modern formats.
This is the heart of Stereo Tool, where you define your unique "station sound." It splits the audio into multiple frequency bands so you can process them independently. Band Selection is the sweet spot for most broadcasters.
Different types of audio (e.g., music, speech, FX) may require different Stereo Tool settings. For instance, a voice-over might benefit from a narrower stereo image, while a music mix could be widened.
Fast attack, fast release (controls harshness and sibilance).
The De-Clipper is one of Stereo Tool's most powerful features. It reconstructs clipped, distorted audio peaks caused by over-amplification in original recordings.
Would you like a version of this write‑up narrowed to or just streaming , or adjusted for a particular skill level (beginner / advanced)?
For a comprehensive guide to , the Short tutorial: How to create your own sound from the official Stereo Tool documentation is the most authoritative starting point. It explains how to build a sound profile from scratch or refine existing presets. Core Settings & Best Practices
: Provides clipping without distortion to maximize loudness within legal limits.