Awol A Real Mamas Boy 1973 Fixed -
His journey home is a series of encounters, beginning with two girls who give him a ride and lead to the film's first set-piece. Once home, the narrative explores an increasingly overbearing and "loving" relationship with his mother, who eventually provides him with a "gift" in the form of a professional companion to welcome him back. Key Production Details 1973 Director: Anthony Spinelli (credited as Jack Armstrong) Alternate Titles: Inside Mother , A.W.O.L. Runtime: Approximately 55–56 minutes Studio: Gourmet Video Collection
The film has been released on DVD under the title A.W.O.L.: A Real Mama's Boy . AWOL (1973) - IMDb
5. “Can’t Trust Nobody” – Paranoia-funk about betrayal in the drug and numbers game. 6. “Mama’s Boy (Reprise)” – Short, spoken-word skit of a man confessing to his mother over a bed of Rhodes piano. 7. “Free, Black & 21” – Anthemic, hopeful track about young Black identity post-civil rights movement. Features call-and-response vocals. 8. “Alaga Strut” – Instrumental closer; extended drum break and sax solo. A DJ favorite. awol a real mamas boy 1973
What follows is a bizarre road trip and a deeply unorthodox homecoming:
The phrase " A.W.O.L.: A Real Mama's Boy " appears primarily as a specific DVD release, though the "1973" in your query likely refers to the release year of the original film content it contains. The Film: Seduction (La seduzione) The DVD titled A.W.O.L.: A Real Mama's Boy features the Italian erotic drama originally titled La seduzione (internationally released as His journey home is a series of encounters,
To understand AWOL , one must look at its director, Anthony Spinelli (born Sam Weston). Spinelli was a fascinating figure in the adult industry. Coming from a traditional Hollywood background—his brother was the Oscar-nominated actor Paul Newlan—Spinelli entered the adult industry not just to make a quick buck, but with an eye for actual cinematography, character development, and narrative pacing.
In the realm of deep soul and funk collectibles, few records carry the mystique, rarity, and raw emotional power of AWOL’s 1973 release, Issued during a transitional golden era for independent black music in America, this track stands as a masterclass in storytelling, tight instrumentation, and regional soul identity. For decades, the record eluded all but the most dedicated crate diggers, commanding top dollar on the secondary market. Today, it remains a brilliant snapshot of early 1970s sub-mainstream rhythm and blues. The Musical Landscape of 1973 It is a film that
: A well-known Sacramento-based gangsta rap label that released numerous "Greatest Hits" compilations, though it was active much later than 1973.
Because the work was barely distributed, it never received a proper review. However, a single paragraph in The Berkeley Barb (October 12, 1973, page 18) mentions a screening at a now-defunct venue called The Psychedelic Vat:
It is not a "good" film in any conventional sense. Its budget is low, its acting is subpar, and its narrative coherence is, as one critic noted, somewhat loose. However, it is an unforgettable one. For fans of cult cinema, exploitation history, or just the sheer, unadulterated weirdness of the 1970s, AWOL remains a fascinating, bizarre, and unmissable journey. It is a film that, for better or worse, truly earns its tagline.
Upon finally arriving home, the narrative shifts focus toward the recruit's deeply unconventional, codependent relationship with his jealous, overbearing mother.