Bestiality -bestialita- - Peter Skerl 1976 -vhs... -

Maya wrote a letter to the editor of her local paper. Then a blog post. Then a short book she self-published called The Ninth Door . It told the story of 2479, but it also told the story of the workers at Sunnyside—the ones who developed chronic back pain from lifting sows, the ones who drank too much after their shifts, the ones who sometimes sat in their trucks crying before driving home.

For those fascinated by the history of cinematic censorship and the wild, unregulated days of 1970s Italian genre filmmaking, Bestialità remains one of the era's most bizarre artifacts. Peter Skerl - Biography - IMDb

Reviewers on IMDb and Letterboxd describe it as a "lurid," "ultra-sleazy," and "politically incorrect" entry in the Italian exploitation canon.

| Feature | Animal Welfare | Animal Rights | | :--- | :--- | :--- | | | Sentient beings needing protection from cruelty. | Individuals with rights not to be used as resources. | | Acceptable use? | Yes, with humane limits. | No, any use is exploitation. | | Focus | Reducing suffering within the system. | Abolishing the system entirely. | | Example | Bigger cages, stunning before slaughter. | Empty cages, no slaughter at all. | Bestiality -Bestialita- - Peter Skerl 1976 -Vhs...

Co-written by George Eastman (Luigi Montefiori), a veteran of Italian exploitation cinema Cast: Leonora Fani as Jeanine Ilona Staller (Cicciolina) as Eva Philippe March as Paul Juliette Mayniel as Yvette Enrico Maria Salerno as Ugo Synopsis & Themes

Despite its highly controversial premise, the film featured a notable assembly of established Italian genre talent:

Finding a physical VHS copy is a challenge for collectors due to its rarity and legal status. Maya wrote a letter to the editor of her local paper

The story follows a young girl named Jeanine who is traumatized after witnessing her mother with the family dog. In retaliation, her father burns the house down with the animal inside. Years later, a grown Jeanine (played by Leonora Fani ) lives on a remote island with her own dog, where her trauma manifests as nymphomania. The plot thickens when a visiting architect and his wife become entangled in her life, leading to a "bloody and off-beat climax."

The primary misconception regarding Bestialità stems from its provocative title. While marketed purely as grindhouse smut, the film deviates sharply from those expectations:

For those interested in the historical context of media and sexuality, or in the work of Peter Skerl, further study might involve: It told the story of 2479, but it

: Look for releases on Italian labels like Avo Film or Cinehollywood .

The story centers on Jeanine, a young woman who was severely traumatized as a child after witnessing her mother engage in sexual acts with the family's Doberman. In a fit of rage, her father chained the dog to the house and set it on fire. Dog Lay Afternoon (1976) - IMDb November 16, 1976 (Italy) Bestialità (1976) - IMDb

: Star of numerous Italian genre films, Fani anchors the movie with a strong performance as the broken, feral Jeanine.

Bestialità (also known as Dog Lay Afternoon or Bestiality ) is a 1976 Italian erotic thriller directed by . Co-written by the notorious George Eastman (Luigi Montefiori), the film is a prime example of the "Eurosleaze" genre, blending psychological trauma with exploitation elements. Plot Summary