Gehry Residence Floor Plan ✓

For architects and design enthusiasts, searching for the "Gehry Residence floor plan" is not just about finding room dimensions. It is an archaeological dig into the origins of Deconstructivism. It is about understanding how Gehry took a conventional 1920s Dutch Colonial house and exploded its interior logic to create a manifesto.

Gehry wrapped the north and west sides of the original house with a new ground-floor enclosure. This wrap-around space contains the kitchen and dining areas.

To understand the floor plan of the Gehry Residence, one must understand its primary conceptual driver: the collision of two distinct architectural eras.

of the original structure with a new, aggressive envelope of industrial materials like corrugated metal, chain-link fencing, and plywood. Ground Floor Layout The ground floor exemplifies Gehry’s concept of

Gehry Residence in Santa Monica, California, is one of the most significant works of deconstructivist architecture

Gehry’s genius was in treating the floor plan like a collage. He cut pieces from industrial sites (asphalt, chain-link, plywood) and pasted them over the polite geometry of suburbia.

The Architecture of Deconstructivism: Analyzing the Gehry Residence Floor Plan

The upper floor of the Gehry Residence maintains a quieter, more private function while still reflecting the home's experimental spirit. The second story, which contains the original bungalow's roof structure that was left largely intact, was later remodeled to include a spacious . This master suite, along with the children's bedrooms (converted from the original bungalow's dining room during the 1978 project), serves as the family's private retreat, while the geometry of the new construction provides the feeling of seclusion despite the home's corner-lot location. Extending from this level, the design creates vast rooftop terraces on top of the extensions, offering private exterior spaces for the family.

The upper level of the Gehry Residence houses the private quarters, including the bedrooms and bathrooms. Here, the floor plan reflects Gehry’s ongoing battle with the rigid geometry of the original Dutch Colonial roofline. The Master Bedroom and Art Studio

By removing the original ceiling and exposing the redwood rafters, Gehry transformed the upstairs into a voluminous, light-filled space he described as a "tree house".

To understand the genius, you first need the canvas. The original structure was a 1920s Dutch Colonial bungalow—a classic, symmetrical box with a pitched roof and a predictable layout: