La Riffa was followed by Persone perbene (1992), Esercizi di stile (1996), and the television productions L’ultimo concerto (1996), Il mastino (1997), and Inviati speciali (2001). His final feature film was Signora (2004), released just a year before his death.
La riffa (directly translated as ) is a 1991 Italian comedy‑drama written and directed by Francesco Laudadio . It was his first feature‑length film and is especially remembered for giving Monica Bellucci her first screen role. The film’s plot is as provocative as its title suggests:
Massimo Ghini plays Cesare, Francesca’s lawyer and confidant. A friend of the family, Cesare is instrumental in devising the raffle scheme, but his own purchase of a ticket raises uncomfortable questions about his true intentions. Ghini’s portrayal of Cesare walks a fine line between sympathetic ally and potential opportunist, embodying the moral gray areas that the film seeks to explore.
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For the highest quality viewing experience, seeking out European DVD or Blu-ray releases—often put out by independent film preservation societies—remains the most reliable way to watch the film with proper subtitle tracks and original audio. Conclusion
La Riffa has a runtime of approximately 93 minutes, though some sources list it as 91 minutes. The film is spoken entirely in Italian, with no original English dub, though subtitled versions exist for international distribution. La Riffa was followed by Persone perbene (1992),
Upon release, La riffa received mixed reviews. Critics praised Bellucci’s screen presence and charisma but felt the script (co-written by Laudadio) was uneven—alternating between light comedy and heavier drama without fully committing to either. The male characters are often caricatures, serving as foils to Francesca’s quiet resilience.
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Francesco Laudadio was a fascinating figure. Born in Mola di Bari in 1950, he was a student activist in the 1968 movement and later a member of the Italian Communist Party before turning to cinema. After working as an assistant director, his own debut, Grog (1982), won a David di Donatello (the Italian equivalent of an Oscar). Despite this early success, Laudadio never became a household name. He directed only a handful of films, including Fatto su misura (1985) and Signora (2004), and also worked in television. Tragically, he died in 2005 at just 55 after a long illness. His brother Felice continues to be active in the Italian film industry. La Riffa thus stands as one of the key works of a talented but short‑lived career. It was his first feature‑length film and is
(1950–2005) was a versatile Italian director and screenwriter. While La Riffa is one of his most recognized films commercially, his portfolio included dramas and thrillers. Laudadio's style in La Riffa is characterized by:
To watch or rent La Riffa in high quality, entertainment enthusiasts should explore the following avenues:
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The film explores themes of economic desperation, female autonomy, and the commodification of beauty. While marketed with a risqué, erotic edge (Bellucci’s glamorous image is central), the story has a melancholic undercurrent. Francesca is not merely a seductress but a woman navigating grief and social pressure.